Ten years after the Declaration of Independence was adopted, John Trumbull traveled the country in a carriage seeking out all the men who signed the document. He wanted to paint their likenesses as part of a monumental work depicting the nation’s founding moment.
He carried a small painting, protected by a special case, to which he would add each portrait as he found each member of the revolutionary Congress.
He traveled to Boston, New Hampshire, South Carolina and Virginia to find the Founding Fathers so he could paint them. He went to Paris and London to consult with John Adams and Thomas Jefferson. He went to Philadelphia to capture the room where the Continental Congress met.
The small painting, 21” by 31”, became the model for the giant 12’ by 18’ painting that hangs in the Capitol Rotunda.
John Trumbull’s image of the nation’s founding moment has been reproduced millions of times and is etched indelibly in the American consciousness.
It’s amazing he got it done.
John Trumbull believed he was uniquely suited to paint the history of the American Revolution. His father, Connecticut Gov. Jonathan Trumbull, thought he’d be better off as a lawyer or minister.
He was born in Lebanon, Conn., in 1756, the youngest of Jonathan and Faith Trumbull’s six children. As a child he lost an eye when he fell down a flight of stairs.
He attended Harvard, but studied art on the side over his father’s objections. After graduation he joined the First Regiment of Connecticut, rising to the rank of colonel and serving as an aide to George Washington. He watched the Battle of Bunker Hill, which he later painted.
In 1780, John Trumbull went to London, where his mentor, Benjamin West, advised him to paint scenes of the Revolution. When Maj. John Andre was hanged as a spy, British outrage led to Trumbull’s arrest. He spent seven months in prison. His friends got him released.
Trumbull had told Thomas Jefferson he intended to paint a series of historical paintings. Jefferson was so impressed he asked Trumbull to stay with him in Paris, where he was minister to France. Jefferson urged him to paint the presentation of the Declaration of Independence.
Jefferson gave Trumbull a sketch he’d drawn of the room in Philadelphia’s Independence Hall where the Continental Congress met. Trumbull later found the room had been modernized, but was able to recreate the look based on Jefferson’s sketch. He made up the flag and drum on the wall and put the delegates in fancier chairs than they'd used.
The Small Painting
In 1786, John Trumbull returned to the United States and began a small painting on which he based the larger work. It took him 33 years to complete.
The painting showed the moment on June 28, 1776, when the five-man committee that wrote the document -- Jefferson, Roger Sherman, John Adams, Robert Livingston and Benjamin Franklin -- presented it to John Hancock, president of the Continental Congress. The painting didn’t show the signing, which took place a month later.
There was no written record of who was there and who wasn’t. Trumbull consulted Jefferson and Adams. Should he include everyone who might have been in the room that day? Should the men who opposed the Declaration be included? What if the member were dead, and no image of him could be found?
Jefferson and Adams agreed the Declaration’s signers along with those who opposed it should be included. In the end, Trumbull painted 47 men, five of whom did not sign the Declaration of Independence. Fourteen signers did not appear in the painting because Trumbull had no image of them.
Trumbull painted Franklin and John Adams in London, Jefferson in Paris, John Hancock and Sam Adams in Boston, Edward Rutledge in Charleston, S.C., George Wythe in Williamsburg, Va., and Josiah Bartlett in Exeter, N.H.
Nine portraits were taken from images painted by others. Trumbull painted Gen. William Whipple of New Hampshire from memory. He had no image of Benjamin Harrison, but based his portrait on Harrison’s son, who resembled his father.
The Capitol wasn’t even rebuilt from damage caused in the War of 1812 when John Trumbull got the commission to paint four monumental paintings to hang in the rotunda. He was paid $8,000 per painting, a sum that would have made his father happy.
But he was 62 years old and had only one good eye. Critics saw he’d started to lose his touch with his portraits of Thomas Lynch, Samuel Chase, Benjamin Rush and Richard Stockton. Some thought his large painting wasn’t as good as the smaller, original version.
John Randolph of Virginia didn’t like the painting at all: He said it should be called ‘Shin-piece,’ for ‘surely never was there before such a collection of legs submitted to the eyes of man.’
Some say it looks as if Jefferson is standing on John Adams’ foot, representing their troubled relationship. The Architect of the Capitol says no. The painting was marred by humidity, smoke and dirt, and the feet were overpainted to repair damage, creating the impression.
Fame, No Fortune
Despite its critics, the Declaration of Independence quickly became one of the most famous in American history.
It was quickly reproduced as an engraving, one of which Lafayette framed and hung on his bedroom wall. Currier and Ives printed and sold thousands of copies. It appeared on the two-dollar bill and as a postage stamp. A reproduction hangs in the Wadsworth Athenaeum in Hartford.
In 1830, John Trumbull was living in a New York City apartment filled with his paintings. He was short of money. He and Yale professor Benjamin Silliman agreed he would donate his paintings to Yale for a lifetime annuity of $1,000. Yale had to house them in a fireproof building that he designed.
And so the Yale University Art Gallery – the first college art museum -- was created in 1832 to house Trumbull’s paintings.
John Trumbull died in 1843. He and his wife Sarah were buried beneath the building.